Saturday, October 31, 2015
In Latecomers, Anita Brookner strays away from her more typical solitary protagonist and gives us an ensemble cast. There are life-long friends and business partners Hartmann and Fibich, their wives Yvette and Christine (respectively), and their children Marianne and Toto (respectively). The emotional center of the book, and what there is of a plot, definitely revolve around Hartmann and Fibich. The chronology starts with them. Thrown together as youths when refugee Fibich comes to live with Hartmann and his aunt, the two become like brothers, go into business together, and end up living in the same apartment building for all their adult lives. In the meantime both acquire wives and one child each.
Despite this symmetry, it's clear Hartmann is the one in charge. It's his aunt who raises them. He is the first to get married. The one to find and buy a flat and then eventually grab one in the same building for Fibich and his wife. And the one who is, or at least appears to be, the steadier of the two. More certain of himself, more confident in business, love, and family, and less troubled by his past. Their wives reinforce the power dynamic. Hartmann's wife Yvette is one of those people who demands attention. Pretty, elegantly put together, coquettish, and seemingly bent on becoming the boss' wife. Paying only enough attention to her duties at Hartmann and Fibich's office to keep her job long enough to hook and marry Hartmann. I don't think she necessarily set out to seduce him but her flirtatious nature and desire to be set up in a life, far from the world of her mother's reduced circumstances, made it a bit inevitable.
Christine on the other hand is the hired help in Hartmann's aunt's house--although her implied intellect and class status, if not her actual duties, make her feel more like a ladies' companion than a maid. When she helps Fibich nurse the aunt through her final illness, the two become close and eventually marry and move into the flat Hartmann has found for them in his building.
And then the children happen. Marianne seems a bit quieter, less sure of herself, and less glamorous than Hartmann and Yvette. And Toto is confident to the point of arrogance which makes him feel decidedly different than Fibich and Christine.
In some ways I expected Latecomers to have a little more to say about the lives of the two children and the contrast with their respective parents. Instead the novel has much more to do with Fibich trying to make sense of his past. He becomes increasingly discomfited by all that he can't remember of his short childhood in Germany and the parents who were lost to him at the hands of the Nazis. Hartmann's family was similarly impacted but with much less effect on Hartmann's life.
The fascinating thing about the way Brookner writes about the impacts of Nazism on Hartmann and Fibich is that she never mentions the Nazis or what they did. I think the only explicit mention is the blurb written by her publisher on the jacket flap. In the novel itself it is only hinted at in the most oblique ways. Not only are details or proper names never mentioned, but even the generic word atrocity would seem out of place. Brookner tends to do that--she will write in great detail about emotions, or small details, but the outside world, the one where news and history happen, never really comes up. To me, this is never a problem. Brookner has created a world that is less of an ahistorical bubble than it is a delivery system for deep personal feeling.