Well, I admit that after a great first paragraph, with the brilliant first sentence ‘once a thing is known, it can never be unknown’, I was actually seriously worried that I was going to loathe ‘Look At Me’ from its first five or so pages. The term wading through treacle springs to mind, endless paragraphs on depression, melancholy, death and lunacy. It wasn’t looking good. Thank heavens then that I decided I would give it a first chapter then, because in a single page I was rewarded by some of the types of prose and characters that I have experienced and loved in Brookner’s work before.
‘That’, says Mrs Halloran heavily, after every other one of Nick’s disruptive visits to the Library, ‘is one hell of a man’, at which point Olivia asks her to be quiet and observe the rule of silence, and Mrs Halloran says, ‘Miss Benedict, why don’t you get a hold of that sodding offprint I’ve been asking for every day for the last month instead of telling me what to do? I don’t tell you what to do, do I?’‘You just have’, says Olivia, who is never less than totally composed , and after that they subside for an hour or two, until dissension breaks out again over the matter of whether Mrs Halloran gets a cup of tea or not. Oddly enough, Olivia quite likes her, although I suspect that she finds her life in the Library rather painful at times. But she never says anything. How could she? Apart from her unspoken love for Nick, there is her unspoken dislike of his behaviour. Neither, of course, will ever register with him. It is when I think about this that I congratulate myself on not being in love with anyone. I am not in love with Nick. I am not in love with Dr Leventhal (difficult to imagine) or Dr Simek (even more difficult) or even with James Anstey, even though he is tall and ferocious-looking and presentable and not married and undoubtedly what Mrs Halloran would call a bit of a handful.’
That’s all I am going to give you in terms of plot because really with a slim volume of 192 pages, if I said too much I would give everything away and you wouldn’t then be put through the emotional (both high and low) wringer that Brookner has in store for you and that would very much be to the detriment of ‘Look At Me’. It’s a book you need to read in order to actually experience it.
I don’t know if that’s enough to satisfy you and ponder giving it a read but I do advise that you do. Brookner is on fine form (well after the initial hurdle) in this book and everything after the awkward start makes up for it without question. Frances is one of Brookner’s wonderful heroines who starts out a little acidic and brittle and yet slowly wins you over. It’s also interesting to watch a character like that unfold, and possibly even unravel. I don’t know why but I think the fact that she is writer made me like Frances all the more. I did wonder if there was an autobiographical note to this book, maybe that’s just clutching at straws though. I also loved Nancy, Francis’ maid, who it seems loved Francis’ mother, who hired her, and far more than Francis did and won’t let her forget it. The background characters are always vivid and fully formed another thing I love about Brookner.
I know it’s not the longest review, but its not the longest of books – which makes it even more of an ideal read for giving Brookner a try if you haven’t already, or to take a tentative step. I am trying to think of the last time I started a book thinking ‘oh I don’t want to read this’ and ending up thinking ‘oh I don’t want this to end’. That is exactly the effect that ‘Look At Me’ had on this reader. It is such a shame it is out of print. I am only hoping that my further reading of Anita Brookner carries on in the same way.
So what is the subject of ‘Look At Me’? It is interesting that the initial part of the book that bored me with the descriptions of depression and melancholy are in a way what this book is about. In fact I think the best way to describe, our narrator, Frances Hinton’s life is a solitary one, and one that Brookner can do so well. Frances admits that her life is one lived very much alone, where she lives is ‘for old people’, and really for the main the most interaction she has is with her colleagues and that’s how she befriends Nick and his beautiful wife Alix and then becomes adopted as their ‘pet project’.
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